Dictionary of Shakespeare
"The compact and helpful reference work consists of 1500 alphabetically arranged entries providing basic information about Shakespeare's plays, poems and main characters as well as brief descriptions of Elizabethan theater, theater companies, and production methods. McConnell, an editor and lexicographer, includes clear definitions and terms commonly used in literary criticism as well as discussions of Elizabethan society and history. The description of each play includes a brief stage history and a synopsis of the plot. A supplement includes a map of London theaters in Shakespeare's time, a chronological list of the Bard's plays, a short chronology of his life and time, and a list of English kings and queens mentioned in the plays. The user-friendly formatting encourages full use of the text..." - Shana Fair, Library Journal
Music in Shakespeare: A Dictionary
"Musical references, allusions to music, and music stage directions abound in Shakespeare, ranging from simple trumpet flourishes to sophisticated, philosophical allegory. Music in Shakespeare: A Dictionary identifies all musical terms found in the Shakespeare canon. An A-Z of over 300 entries includes a definition of each musical term in its historical and theoretical context, and explores the extent of Shakespeare's use of musical imagery across the full range of his dramatic and poetic work. Music in Shakespeare also analyses the usage of musical instruments and sound effects on the Shakespearean stage, providing descriptions of the instruments employed in the Elizabethan and Jacobean theatres. This is a comprehensive reference guide for scholars and students with interests ranging from the thematic and allegorical relevance of music in Shakespeare's works to the history of performance. It is also aimed at the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre."
Shakespeare's Non-Standard English: A Dictionary of His Informal Language
"Most scholarly attention on Shakespeare's vocabulary has been directed towards his enrichment of the language through borrowing words from other languages, and has thus concentrated on the more learned aspects of his vocabulary. However, the bulk of Shakespeare's output consists of plays, and to make these appear lifelike he needed to employ a collquial and informal style. This aspect of his work has been largely disregarded apart from his bawdy language. This dictionary includes all types of non-standard and informal language and lists all examples found in Shakespeare's works. These include dialect form, colloquial forms, non-standard and variant forms, fashionable words and puns."
Shakespeare's Religious Language: A Dictionary
"Religious issues and religious discourse were vastly important in the sixteenth and seventeenth century and religious language is key to an understanding of Shakespeare's plays and poems. This dictionary discusses just over 1000 words and names in Shakespeare's works that have some religious denotation or connotation. Its unique word-by-word approach allows equal consideration of the full religious nuance of each of these words, from 'abbess' to 'zeal'. It also gradually reveals the persistence, the variety, and the sophistication of Shakespeare's religious usage. Frequent attention is given to the prominence of Reformation controversy in these words, and to Shakespeare's often ingenious and playful metaphoric usage of them. Theological and religious commonplaces also assume a major place in the dictionary, as do overt references to biblical figures, biblical stories and biblical place-names; biblical allusions; church figures and saints. The entries include: angel, baptism, catechism, cross, death's-head, devil, equivocation, evil, fool, Saint George, God, grace, heaven, idolatry, Jove, Lutheran, merit, Navarre, obsequy, Pope, pray, reform/reformation, sanctify, scripture, sin, soul, troth, unction, vice, and York."
Shakespeare's Theatre: A Dictionary of His Stage Context
"Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging..."