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William Shakespeare: New Books

New Books (Selected Titles)

Acting Shakespeare's Language
"Andy Hinds offers a rich and detailed path towards a precise contact with the challenge of speaking and inhabiting Shakespeare's language. This book is an immensely useful resource for anyone teaching, speaking and acting Shakespeare." - Ralph Fiennes

 Re-Humanising Shakespeare: Literary Humanism, Wisdom and Modernity
"...argues that although Shakespeare strikingly dramatizes various kinds of uncertainty and scepticism, including scepticism about what it is to be human, his work can still serve as a rich source of existential wisdom and guidance. Revised throughout, this edition includes: a new introduction which focuses more attention on what is specific to literature's treatment of the human (as epitomised by Shakespeare); a section drawing on new work on literary and dramatic genres as different ways of attending to human life; a revised chapter on the history plays; and a reading of King Lear. Blending theory and critical resources with close analysis of the plays, this book makes provocative reading for all those interested in Shakespeare, ethics, human being and questions of literary value.

Royal Power and Authority in Shakespeares Late Tragedies
"William Shakespeare explores political survival as a question of interaction at court in King Lear, Macbeth, and Antony and Cleopatra. Through a discussion of authority as an element that is distinct from power, this book offers a new perspective on the importance of acts of persuasion and the contribution the late tragedies make to Shakespeares portrayal of monarchy. It argues that the most productive uses of the material power to judge or reward are those that reinforce royal authority and establish the monarch at the centre of the web of noble relationships. In the late tragedies, rulership is exercised at court. It acquires a nature of its own as the interaction of powerful and potentially powerful individuals among the nobility. The persuasive exercise of authority complements the tangible power that is founded on the monarchs material resources, so that consent to the monarchs supremacy is obtained through various discourses of justification and the performance of the monarchs social role. Shakespeares combination of emotional intimacy with political concerns becomes central to the tragedies of these three plays when the failure to establish control over power and authority leads to the breakdown of established values and political traditions.

Shakespeare and the Visual Imagination
"Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon.

Shakespeare's Insults: A Pragmatic Dictionary
'Why are certain words used as insults in Shakespeare's world and what do these words do and say? Shakespeare's plays abound with insults which are more often merely cited than thoroughly studied, quotation prevailing over exploration. The purpose of this richly detailed dictionary is to go beyond the surface of these words and to analyse why and how words become insults in Shakespeare's world. It's an invaluable resource and reference guide for anyone grappling with the complexities and rewards of Shakespeare's inventive use of language in the realm of insult and verbal sparring.'